Byelovzorov is one of Zinaida's admirers. He is a blond, curly-haired young officer. He has a magnificent figure with a pink face and protruding eyes. Byelovzorov gives Zinaida a tabby kitten because she wants one and her word is law. Vladimir is jealous of Byelovzorov whom Zinaida calls "my wild beast, or sometimes simply mine.
He has no confidence in his brains or other qualities, but he constantly proposes marriage to Zinaida, implying that the others only talk. After Zinaida's affair with Pyotr Petrovich becomes known, Byelovzorov disappears, supposedly to the Caucasus. Looshin is one of Zinaida's admirers. He is a swarthy man who yells at Vladimir for looking at Zinaida in the garden. He has close cropped dark hair, and he is very cynical and sarcastic.
Looshin knows and loves Zinaida best of her admirers, but he attacks her to her face and behind her back. Zinaida respects Dr. Looshin, though she takes a malicious pleasure in asserting her complete power over him. Count Malevsky is one of Zinaida's admirers. He is very handsome with dark hair, expressive brown eyes, a small narrow nose and a thin mustache over a tiny mouth.
He has a slight Polish accent and is always fashionably dressed. Count Malevsky is clever and shrewd, but he is also sneaky and rude at times. Pyotr Petrovich kicks him out of his house after Mme. Petrovich learns of Pyotr's affair with Zinaida though an anonymous letter; this suggests that Pyotr believes Count Malevsky wrote the letter. Captain Nirmatsky is one of Zinaida's admirers. He is a retired man of about forty years old who is hideously pockmarked with curly hair.
He has slightly bowed legs and wears a military tunic unbuttoned and with epaulets. Maidanov is one of Zinaida's admirers. He is a tall, young man with a thick face, small eyes and extremely long, black hair. He is responsive to the poetic strain in Zinaida's soul, though he is somewhat cold by nature. He fervently assures Zinaida that he adores her and composes endless verses in her honor which he recites with an affected, sincere ardor.
Volodya is Zinaida's younger brother. He is twelve years old and a cadet. In the frame story, Sergey Nicolayevich is one of the remaining guests who agrees to the host's plan to tell stories of their first loves; however, Sergey claims that he had no first love because he began courting a girl for the first time as though it was nothing new to him. In the frame story, the host suggests that he, Sergey Nicolayevich and Vladimir Petrovich tell the stories of their first loves. He does not have a story to tell because he did not fall in love until he met his current wife.
Read more from the Study Guide. Browse all BookRags Study Guides. Copyrights First Love from BookRags. All rights reserved. Toggle navigation. Sign Up. Sign In. Get First Love from Amazon. View the Study Pack. View the Lesson Plans. Order our First Love Study Guide. Section 1: Prologue and Chapter 1. Section 2: Chapter 2 and Chapter 3. Section 3: Chapter 4.
Section 4: Chapter 5 and Chapter 6. Section 5: Chapter 7. Section 6: Chapter 8. Section 7: Chapter 9. Section 8: Chapter 10, Chapter 11 and Chapter Section 9: Chapter 13 and Chapter Section Chapter Section Chapter 18 and Chapter Section Chapter 21 and Chapter Free Quiz. Topics for Discussion. First Love Characters Ivan Turgenev. Print Word PDF. This section contains 1, words approx.
Themes Style Quotes. Princess Zinaida Zasyekinappears in First Love Princess Zinaida Zasyekin is the twenty-one year old daughter of the elderly Princess Zasyekin who rents the decrepit lodge in Keskootchy, located next door to the Petrovichs' summer house. Petrovichappears in First Love Mme. Princess Zasyekinappears in First Love Princess Zasyekin is the elderly princess who rents the decrepit lodge next door to the Petrovichs' summer home.
Accounts of this incident vary, but all agree that Turgenev behaved badly. Some versions say he screamed in French, "Save me, I am my widowed mother's only son! In July Turgenev met Mikhail Bakunin, and for a whole year they lived together, arguing philosophy day and night. In Turgenev returned to Russia. The following year was an important one.
While carrying on a high-flown platonic romance with one of Bakunin's sisters, Tatyana, Turgenev entered into an earthier alliance with Avdotya Ivanov, one of his mother's seamstresses which resulted in the birth of a daughter, known in later life as Paulinette. Turgenev also did all the work for his master of arts degree except the dissertation.
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For various reasons he abandoned his plans for an academic career and entered the Ministry of Interior Affairs. He left the civil service—to the mutual satisfaction of both parties—after 18 months. His mother was infuriated and cut off his funds, thus forcing him to lead a rather precarious existence, complicated by the fact that everyone thought he was rich.
Turgenev met the critic Vissarion Belinsky, with whom he remained very close until the latter's death.
www.balterrainternacional.com/wp-content/2019-05-01/playa-del-ingls-gay.php Belinsky was instrumental in turning the young man away from vaporous poetry to a greater realism and a more natural tone. Parasha showed Turgenev to be an imitative poet in these early years especially of Aleksandr Pushkin and Mikhail Lermontov , and Turgenev later dismissed his verse as having been written before he found his true vocation.
In Turgenev met the woman with whom he struggled for the rest of his life. Pauline Viardot-Garcia belonged to a talented Spanish family of gypsies. When Turgenev first saw her, she was well on her way to becoming the reigning mezzo-soprano in European opera. She was considered by many unattractive, but her voice was remarkable, and she was a great actress. Turgenev saw her during a tour in St. Petersburg and fell immediately in love. A curious relationship began that ended only with Turgenev's death in her arms.
She was married to Louis Viardot, a man 20 years her senior, a director of the Italian Opera in Paris, but her marriage was no complication because her husband was extremely permissive. The problem lay in Pauline herself, who, unlike many other women, was not especially attracted to Turgenev. She had many affairs with other men, never entering into an exclusive alliance with Turgenev, even though he devoted much of his life and fortune to her, and even though she, as well as her husband and children, lived with Turgenev for years.
From to Turgenev spent most of his time in Russia, plunging now into his nation's literary life, coming into contact with all its leading literary figures. In he went abroad, resolved to fight serfdom with his pen. That year he wrote the first of his Hunter's Sketches, "Khor and Kalinich. In Turgenev returned to Russia, where his mother lay dying. Her death made him master of 11 estates, including Spasskoye, some 30, acres, with thousands of serfs.
He did his best to lighten the load of these peasants, and he freed the household workers among them. In that year he wrote A Month in the Country, of all his stage pieces the one that has remained in the repertoire. A Provincial Lady was written in While Turgenev always claimed he had no dramatic talent and he stopped writing plays in , the lyrical tone of his plays has a close affinity to that of Chekhov's masterpieces, and his dramas are just as difficult to classify.
More of the Hunter's Sketches appeared at frequent intervals during these years. In many of them the serfs seemed nobler than their masters, and both master and serf seemed stunted by the institution of serfdom. The sketches angered the government. The stage for some action against Turgenev was set.
Edited by Talcott Parsons. Finke , with a socio-po- litical one, according to which her ambivalent drive to subdue and be subdued, to mete out punishment and be punished, can be understood in light of her position as a member of the old nobility reduced to poverty and humiliated. When you're young you think you're the Romeo of every story, but sometimes it turns out you're barely Paris. Petersburg to Moscow and Paris—that catalyzed the advent of all those beautiful and massive novels. I'm
In November he wrote a laudatory article on the recently dead author Nikolai Gogol. This article was not passed by the St. Petersburg censors; Turgenev then took it to Moscow, where it was published. Its publication was regarded as a "treasonable act"; he was arrested, and after a month in prison, he was put under house arrest at Spasskoye for almost 2 years. The greatest irony was that after his arrest the collected Hunter's Sketches were published in book form.
The volume created a revulsion against serfdom much greater than the separate sketches had.
During his month in prison Turgenev wrote "Mumu, " a piece called by Thomas Carlyle "the most pathetic story in the world. In Turgenev was back in St. He had long felt the need to experiment with a longer form and after several false starts wrote his first novel, Rudin, in 7 months in published It was a portrait of the talky, idealistic generation of the s, and many readers felt its hero was modeled on Bakunin.
Turgenev met Nikolai Chernyshevsky and Leo Tolstoy that same year; he was destined to quarrel with both. In , on one of his frequent trips abroad, Turgenev met Harriet Beecher Stowe, the American novelist; the effect of Hunter's Sketches on the abolition of serfdom in Russia had often been compared to the effect of her Uncle Tom's Cabin on the abolition of slavery in the United States. In the spring of that year he dusted off a manuscript given him earlier by a young soldier, Vassily Karatayev, who had felt he would not survive the Crimean War he had died soon afterward of typhus. The manuscript was an autobiographical tale, and it served as the core for Turgenev's next major work, On the Eve.
When this novel was published in , it created a stir: the old and rich attacked it, and the young and radical defended it. A two-edged review of this novel by N. Dobrolyubov in Nikolai Nekrasov's journal, Contemporary, caused Turgenev to break with that review and its increasingly radical orientation. The unhappiness this rupture with his old friend Nekrasov brought was compounded by a violent break with Tolstoy, who went as far as to threaten Turgenev with a duel.
Turgenev declined, but the two were never truly close again. In Turgenev also endured further unhappiness caused by a literary friend.
Ivan Goncharov, who had been working on his novel The Precipice for many years, often discussing it with Turgenev, accused him of stealing ideas from it for On the Eve. An informal court was set up, with three authors acting as judges. They cleared Turgenev, but he was infuriated and was never again close to Goncharov whose paranoia later became clinical. Part of Turgenev's pain was eased by hard work on his new novel, which, when it appeared as Fathers and Sons , marked a watershed in the literary, intellectual, and political life of Russia. This novel ranks as his masterpiece.
Everyone was forced to take sides on the issue of Bazarov, the book's hero, and his nihilist philosophy. Bazarov became the archetype for the generation of the s; he was a socialist in politics and a scientific materialist in philosophy.
Conservatives accused Turgenev of prostrating himself before the younger generation, while radicals charged him with a cruel satire of their ideals. Some felt that Bazarov was a parody of the radical critic Dobrolyubov, who had died tragically young. In Turgenev bought a villa in Baden-Baden, Germany, where he lived on a grand scale with the ever present Viardots. In Turgenev published Smoke, a novel that offended all Slavophiles and all conservative religious opinion in Russia.
Many accused him of selling out to the West, of having lost contact with his homeland. The following year he was visited by Fyodor Dostoevsky, who attacked him as a slanderer of the motherland. A few months later he settled in France, first in Paris and then at his summer home on the Seine at Bougival near Paris.