The former Mrs. Henchard returns with daughter Eliza-Jane years later when the girl is The story takes S-curves and turnabouts until Henchard's pride gets the best of him, he returns to booze and he's ruined emotionally and publicly.
I'd say this story has a few morals: 1. Drink in moderation. No matter how bad things get, never sell your wife or children. Mar 29, S. Why is it that certain things you read in your youth stay with you forever? So it has been with this sentence from The Mayor of Casterbridge, which I had to read in school. There are many things that have stayed with me from those days, but little quite as much as this book.
I am not sure why. Maybe it is the credible characterisation, maybe it is the subtle turns of plot that make you smile, frown, cross and shout in fury at the pig-headed yet im "Someone has been roasting a waxen image of me". Maybe it is the credible characterisation, maybe it is the subtle turns of plot that make you smile, frown, cross and shout in fury at the pig-headed yet immensely warm protogonist Henchard. Maybe it is the wonderful vocabulary. Maybe it is just that this is a delightful story, which I have read again this week, and enjoyed every bit as much all these years later as I did then.
Thank you Mrs Rooke, my English teacher, for making me read this book. And if you read this review, I hope it inspires you to read The Mayor of Casterbridge. It will stay with you for a long time. S Pearce, author of Mo This is the story of the rise and fall of Michael Henchard, a hot-tempered, proud and irascible hay-trusser who in a drunken haze, sells his wife and baby girl to a sailor at a fair, for five guineas.
He regrets his deed the next day, but can not find his wife and child.
Entering a church, he kneels by the altar and vows to stay sober for 21 years and do good and be charitable. But can he rise above his anger, pride, obstinacy, jealousy, sense of rivalry and impulsiveness? Would he be able to prev This is the story of the rise and fall of Michael Henchard, a hot-tempered, proud and irascible hay-trusser who in a drunken haze, sells his wife and baby girl to a sailor at a fair, for five guineas. Would he be able to prevent the life and name he has built for himself from unraveling?
Could he fight fate? This is a story of misunderstandings; of suffering the consequences of transgressions; of self-punishment and regrets and of longing to be loved and cherished. This is a tragedy. View all 6 comments. I really loved this one. This was my third Hardy novel and it's by far one of his best. I think this one would be a good entry point into Hardy, it has all this major themes and all of his delicious pessimism. Ah, it's so fantastic.
Perhaps I've been spoilt growing up by too many political sex scandals sinking careers in waves of laughter so I always felt that sale of the titular character's wife in order to buy Fermenty and even more the revelation of this secret later in the novel should have much more power and impact than they do. Instead I suppose it is not the tragedy of a stupid action but the tragedy of a more generally stupid hubris of the man who believes he can do what he wants and get away with it including sel Perhaps I've been spoilt growing up by too many political sex scandals sinking careers in waves of laughter so I always felt that sale of the titular character's wife in order to buy Fermenty and even more the revelation of this secret later in the novel should have much more power and impact than they do.
Instead I suppose it is not the tragedy of a stupid action but the tragedy of a more generally stupid hubris of the man who believes he can do what he wants and get away with it including selling wife number one in order to have some mildly alcoholic refreshment.
The small town setting of a fictionalised Dorchester is good, hard alongside the remnants of the Roman town - the past is inescapable, it is just that when it grabs you by the collar it is more like Eamonn Andrews with his red book than the grim visage of Nemesis. Stock energetic Scotsman on his way to make his fortune in the colonies gives it a painting by numbers feel.
Hardy in his way is more a Rembrandt in his style than one of the fine painters who is careful about every detail. Instead there is absolute concentration on his central theme while the rest can be sketched in or populated by stock figures. View all 12 comments. Instead, it was a very silent one because it took me about forty years to read it. Since the then-mayor took a lively interest in the exchange — he was later to become an honorary citizen of my hometown —, he also took up a student, and that happened to be me.
Remember, this was well before the Internet, and so it was not that easy to order an English book in Germany, not even in any bookshop you dropped into. Nevertheless, they also liked reading a lot and talking about literature, and the only thing that took an equal share of our conversations was what happened in Hungary at the time, i. On one of the last days of my sojourn in Dorchester, the mayor gave me a copy of The Mayor of Casterbridge , telling me that Casterbridge was actually Dorchester and that Thomas Hardy was a writer who could hold his ground against Dickens if needs be.
However, I kept it on my shelf — not so much out of insight that one day, my tastes would have matured and enable me to enjoy books of a more subtle calibre — what year old would ever come up with such an idea? This time, my reaction to what I was reading proved entirely different. One may not even regard Henchard as a villain at all but just as an unlucky man whose passion and ambitions regularly interfere with his longing for human relationships.
After selling off his wife and his daughter in a state of alcohol-induced stupor, Henchard comes back to his senses and immediately realizes that he has brought terrible guilt upon himself. And yet, his desire to make amends is thwarted by his sense of shame in that, although he tries to recover a trace of his family, he avoids taking the most promising measure of advertising for them, seeing that this would expose him to the necessity of openly owning up to what he has done.
Still, his whole life is determined by the feeling that the guilt he burdened his life with must somehow move him to setting things right. For example, when he realizes what an honest and caring person he has in Elizabeth-Jane, why should the sudden knowledge that she is not his real daughter awaken such coldness and anger in him?
Nearly everything that can go wrong does go wrong. For example, the arrival of Farfrae in Casterbridge, and his acquaintance with Henchard is the result of a mere accident, some words about bad corn being overheard by the young Scot and his honest desire to be of help. At the age of 18, I might have resented such a conclusion but at 48 I am ready to resign myself to it. The only weakness of this powerful novel is due to the fact that it was published in a serialized form, forcing its author to include some major event in every single instalment.
I had to read this in high school. It was so boring it caused every particle of oxygen to be instantly sucked out of my brain whenever I opened the cover. My teacher gave me detention for falling asleep in class, I pointed to The Mayor of Casterbridge, he hit me on the back of the head with a wooden ruler. I can truly say that the classics of 19th century English literature made an impact on me.
View all 31 comments. Grim, grim, grim, even grimmer than I'd expected. Almost everybody dies, life is only a few momentary flashes of happiness in the midst of pain, etc. Hardy has a talent for description of scenery, and his portrayal of Henchard's self-deceit, pride, and arrogance is only too familiar. Shelves: When you hear "tragic flaw" you think of hubris, probably, or curiosity, or the desire to fuck your mom, but here's the Mayor of Casterbridge's tragic flaw: he's an asshole.
He's not bad, exactly. He has a sense of justice, or at least he develops one. As the book opens, he Michael Henchard, the Mayor of Hardy's blazing character study auctions off his wife for five shillings in a fit of drunken pique.
When he sobers up and realizes what he's done, he swears off drinking. He tries to be better.
Later on in a fistfight, he ties one hand behind his back because he's bigger than the guy he's facing. This is his justice.
It's also his assholery, because he started the fight in the first place, and that's what plagues him through the book: he's just a dick. People don't like him. He can't bring himself to be nice to folks.
You know people like this, right? You probably work with one. Sometimes you come into work and you're like, "Today I'm just gonna be nice to Steve. I'm sure if I just try a little harder, we can have a good relationship. He just has a really fucked up social IQ. But then you have a meeting with him and he blurts out something wicked rude, because that's how Steve is, and you're like gah, I just can't do it. Some people are just assholes. That's an interesting thing to look at, and I think Henchard is a great character. It's not gonna help you empathize with Steve better, because honestly, fuck Steve, but it's an interesting thing to write a book about.
Mayor also has Hardy's usual batch of stunningly cinematic scenes. A ruined Roman amphitheater provides several of them, as does a hay loft where Susan glows in a golden shower of wheat husks. But it wasn't Hardy's favorite. According to Michael Schmidt, he "reckoned that of all his novels the one most damaged by the exigencies of serialization was The Mayor of Casterbridge; the need for incident week after week made for too much plot.
It's not my favorite either. Tess and Jude are my favorites. But Henchard is one of my favorite characters. He's one of literature's great gaping assholes, and that's quite an achievement. View all 7 comments. Quo It may be a test of my memory but Michael Henchard's command of the English language was much preferable to yours. Jason 5 hours, 3 min ago. This is the story of Michael Henchard, who sells his wife and infant daughter for five guineas while drunk at a local fair.
The consequences of this one impulsive action haunt his life thereafter. Henchard is a tragic figure, doomed not only by the character flaws of which he is only too aware, but also by a malignant, inescapable fate. Hardy's writing is breathtaking. The novel is full of stunningly beautiful descriptive language.
Hardy paints vivid pictures with words, bringing both characters This is the story of Michael Henchard, who sells his wife and infant daughter for five guineas while drunk at a local fair. Hardy paints vivid pictures with words, bringing both characters and setting to life. It's a novel full of memorable characters. Henchard is the most striking, but in their quieter way Donald Farfarie, the Scotsman who wins and then loses Henchard's affection, the good and long-suffering Elizabeth-Jane and the complex Lucetta are also compelling, as are the secondary characters who form the chorus.
This is an intensely sad novel. It had the same effect on me as a Greek or a Shakespearean tragedy: you know it'll end badly, no matter how hard the characters try to avoid their fate. And I ached for Henchard, a man who desperately wants to find redemption, even when pride, arrogance, temper and impulsiveness undo him at every turn. I listened to this as an audiobook narrated by Simon Vance.
He does a magnificient job, particularly with Henchard and Farfarie, although in common with most male narrators he struggles with young female voices. It appears that I've turned into a huge Thomas Hardy fan after steafastly avoiding his novels for more than thirty years. Who'd have thought? View all 35 comments. Shelves: made-me-cry , classics , college-library , writing-to-die-for , why-no-hype , family , new-places.
Still as good as I remember it to be. View all 13 comments. If Thomas Hardy's Wessex region was a real place the British government would probably have to nuke it as nothing but misery seems to go on there, as recounted in Tess of the d'Urbervilles , Jude the Obscure , The Return of the Native and other bleak-fests I am excluding Far from the Madding Crowd here because I find it quite cheerful by his melancholic standard only a few tissue papers required instead of a whole box of Kleenex.
The Mayor of Casterbridge is Hardy at least wonderfully mirth If Thomas Hardy's Wessex region was a real place the British government would probably have to nuke it as nothing but misery seems to go on there, as recounted in Tess of the d'Urbervilles , Jude the Obscure , The Return of the Native and other bleak-fests I am excluding Far from the Madding Crowd here because I find it quite cheerful by his melancholic standard only a few tissue papers required instead of a whole box of Kleenex.
The Mayor of Casterbridge is Hardy at least wonderfully mirthless best. A bad tempered man with incredible mood swings who specializes in making very poor decisions. He starts off in fine form with selling his wife and child to an unknown sailor for the bargain basement price of five guineas better known today as a fiver or GBP 5 while inebriated pissed out of his mind in fact. After almost twenty years his poor sold wife shows up in town and reconciles with him, all seem to be going well until the fecal matter hits the fan.
Seriously if they had electrical fans in Wessex I would stay well away from them as fecal matters would always make a beeline for these things, and spanners are always thrown into the works. He is often despicable yet oddly sympathetic and I could not help but wish things will work out well for him, but his worst stroke of luck is probably to find himself in a Thomas Hardy novel so that is not going to happen.
Yet the process of the displacement is only halfway towards completion; it requires one perilous step further, for the value of Elizabeth-Jane should be the same and as negative as that of Lucetta:. She formed curious resolves on checking gay fancies in the matter of clothes, because it was inconsistent with her past life to blossom gaudily the moment she had become possessed of money.
But nothing is more insidious than the evolution of wishes from mere fancies, and of wants from mere wishes Hardy 90; emphases added. The text divulges a sense that despite surface differences between them, Elizabeth-Jane and Lucetta share a dangerous propensity for dressing gaily. Forced into the text as the double of Elizabeth-Jane, Lucetta is thus able to fill the role of a substitute for her, taking upon herself all the negativity; she is dressed gaily, insistently connected with the discourse of prostitution, only to fall a victim to the skimmity-ride and die.
The most pernicious sources from and in which the discourse spreads are Mixen Lane and High-Place Hall. Geographically marginalised, Mixen Lane locally symbolises the seamy side of the town, looming up ominously in the novel. The passage tells us that a white apron paradoxically signifies a prostitute in Mixen Lane; everything here seems to connote prostitution. On the other hand, High-Place Hall, a mansion where Lucetta lives, is, by contrast to Mixen Lane, located near the centre of the town, and yet possesses a treacherous aspect as well.
While directing their angry fire at Lucetta, the workers and peasants in Casterbridge accept Elizabeth-Jane instead. The contrivance is quite meticulous, I should say, in that the relationship between Elizabeth-Jane and Lucetta involves the process of both identification and differentiation. At a certain point, however, she has to differentiate herself from Lucetta in order to remain alive. But there is a momentous scene in which we can witness first-hand the instant Elizabeth-Jane separates herself from Lucetta.
Lucetta then tells Elizabeth-Jane about her past:. He was an officer in the army. I should not have mentioned this had I not thought it best you should know the truth. This expression is odd as well as suggestive. This scene seems at least to indicate that Elizabeth-Jane acquires a different point of view from which to look at Lucetta who has been, for Elizabeth-Jane, the object of respect and adoration.
Those who know the secret all disappear from the text: both Susan and Henchard pass away and it is suggested that Newson is to leave Casterbridge soon. It is only Elizabeth-Jane and Farfrae that are left to know the secret. We can assume that they are most likely to take the secret to the grave. Actually there exists another secret which she keeps only to herself. Indeed, Newson, her biological father, is a sailor. However, the question is what kind of person Newson is. After demoted Henchard leaves Casterbridge, Newson reveals to Elizabeth-Jane that once he came to Casterbridge to search for her and was utterly deceived by Henchard into believing that she was already dead.
The Mayor of Casterbridge is most challengingly subversive of traditional values in that Hardy manoeuvred an illegitimate girl into the centre of the community. Charles P. On a late summer evening in the s, a man, wife, and child approach the village of Weydon-Priors on foot. The married couple, Michael and Susan Henchard , is silent as they walk.
Michael is a skilled countryman with a cynical air of indifference. Susan is beautiful in moments of animation, when her face softens as she interacts with her child. Michael reads from a ballad-sheet he carries. On the road, they encounter a turnip-hoer and Michael, who works as a hay-trusser, inquires about work in Weydon. The turnip-hoer says there is no work at this time of the year, but that it is Fair Day in Weydon and an animal auction has been taking place throughout the day.
Susan is characterized by her love and care for her child, which appears to be her only source of happiness. Active Themes. Michael and Susan arrive at the Weydon Fair. Michael discovers that the furmity-woman serving is lacing some bowls with rum, and pays her extra to slip rum into his food. Michael and Susan disagree over the minor matter of food at the Fair, but this disagreement reflects their different personalities and the unhappiness of their marriage: the pair no longer gets along.
He makes terrible decisions while drinking.
He bemoans his early marriage and bondage to his wife and child. Outside the tent, the auctioneer can be heard as he sells the last, and poorest quality, horses at the fair. Michael realizes the connection and wishes he could auction off his wife. Related Quotes with Explanations. Susan attempts to control her husband. He has made such jokes before in public places, but she feels he is carrying his complaints with his marriage too far. Michael begins an auction for his wife, as a short man offers himself as the auctioneer. Susan stands and goes along with her own auction. No one in the tent will speak up and offer a bid, perceiving the whole situation to be primarily a joke.
This shows that Michael has continuously mistreated Susan in this way, and in public. Download it!